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Silent Cinema, an Introduction (Distributed for the British Film Institute), by Paolo Cherchi Usai
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This revised guide to silent film studies contains two new chapters that present an analysis of color technology and aesthetics. They look at how silent films are saved, restored and made accessible via archives. Aided by new material,�this book�is a survey of the first 30 years in the history of film.
- Sales Rank: #1345326 in Books
- Brand: Brand: British Film Institute
- Published on: 2000-11-26
- Released on: 2008-01-22
- Original language: Italian
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.04 pounds
- Binding: Paperback
- 229 pages
- Used Book in Good Condition
Review
"Ahandsomely produced and astonishingly accomplished work."--"Viewfinder
Language Notes
Text: English (translation)
Original Language: Italian
About the Author
Paolo Cherchi Usai is senior curator of the Motion Picture Department at George Eastman House, is Associate Professor of Film at the University of Rochester and Director of the L. Jeffrey Selznick School of Film Preservation.
Most helpful customer reviews
20 of 20 people found the following review helpful.
A feast for the silent film fan
By Bruce Calvert
If you have ever wondered what a film archivist does, this book is for you. If you are really serious about your passion for silent films, this book is for you. Mr Usai's concise book is packed full of research tips. There are over 50 illustrations, many in color, of all kinds of different early film frames (70mm, 35mm, 9.5mm, 28mm) plus early color processes, even early 3-D frames. He explains how the early color processes worked and how early films were assembled. He goes into great detail on how that silent film that you may watch today may be drastically altered from the original in the early 1900s. And he explains the many frustrating problems that silent film archivists encounter. He explains the pitfalls of compiling filmographies, and how some printed sources are valuable and others are worthless. If you are just becoming interested in silent films, this book will be too much for you. But if you are really interested in the "nuts and bolts" of archive work, or the detective work that we do to study silent cinema, then you won't be able to put this book down!
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